A Conspiracy

By Tommy Airey

PC: Nijalon Dunn

During this final fortnight of 2020, my mind has been meandering back to Memorial Day and the short life of George Floyd. He and I were born forty days apart, five years after Martin King was murdered. We came up in a split screen society where two totally different games with totally different rules were being played at the totally same time. King called it “the two Americas.” While I was basking in the sunlight of opportunity, George Floyd’s America had a daily ugliness about it that transforms the buoyancy of hope into the fatigue of despair. While I was coddled, George Floyd was criminalized.

Believe it or not, George Floyd and I both played college basketball. He was a 6’7” power forward from Houston. I was short, white and, as one former coach said, slower than shit rolling uphill. He crashed the boards. I hit the threes. After college, we both came back home. While George Floyd was posting up in the projects of Houston’s Third Ward where unemployment was four times the city’s average, I was in the Southern California suburbs saving up my full salary for a couple years while living rent-free with free meals in the home my parents bought in 1970 for $35,000. Mom still stays there and could sell it for thirty times the amount she bought it for.

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The Angels

By Rev. Solveig Nilsen-Goodin, a Christmas Eve sermon

[This sermon is a reflection on the biblical stories from the angel’s appearance to Zechariah to the shepherds returning from Bethlehem — stories imagined, acted out and recorded by seven different families with young children from the community.]

Friends, we gather tonight in the darkest time of year, in a year that for so many has been the darkest they have ever known. And right here, right now, in this virtual but very real moment, come the children of this community, like angels bringing joy and delight to our hearts, bringing the ancient and ever-new good news to the people who walked in darkness. Angels, messengers of God of the impossible becoming possible. There are SO. MANY. ANGELS in these stories!

An angel arising from behind the altar where Zechariah was coloring, I mean, doing his work and tending the incense. The mildly maternal-looking angel telling Zechariah how it’s all going  to go down and then giving Zechariah a big long, silent time out for not believing her. 

Another angel with green wings coming to Joseph in a dream!

Another angel descending to sit on the floor next to Mary like best friends with dolls, giving her the news of her unexpected pregnancy, patiently answering her questions, letting her process her feelings until she was ok. An angel doing what a best friend would do.

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A Divine Offering in a Food Tray for Animals

PerkBy Jim Perkinson, from Political Spirituality in an Age of Eco-Apocalypse (2015)

Undoubtedly anxious, perhaps even terrified, Mary breaks water under the bureaucratic duress. Motel 6 is filled, as is the local youth hostel. Tradition has it she camps out in a cave—likely one of the rocky caverns around Bethlehem that shepherds used as corrals. In short order, she has her newborn in a “manger,” feeding trough for domesticated livestock, enslaved creatures whose own wildlands grazing has been reduced to slopping beheaded grain from a wood or stone container.

Meanwhile local herding folk, out on the hills with their flocks, reading the stars and weather, tending to the night cacophony for any hint of danger, schooled, not in texts of Torah but in the sensuous spells of the wild holiness that is their “bible,” are struck with an apparition, an emergent power of the outback, taking shape on the rocks, whispering omens, filtering light into a strange miasma of significance. They hear, are terrified, then comforted. Offered “good news.” An event has taken place. Continue reading “A Divine Offering in a Food Tray for Animals”

Review of Pillar of Fire by Joyce Hollyday

By Kate Foran, shared from Geez magazine

Can we have a story with all the immersive medieval detail—from herb-strewn floors to falconers to feast days— of Kristin Lavransdatter but with none of the tiresome obsession with sexual sin? Can we enter a world with the depth of history of Lord of the Rings without the racist overtones and dearth of female characters? Can we readers have a vision of “The Mended Wood” as cast by S.D. Smith in The Green Ember without buying into the myth of redemptive violence? Can we have a story of risk and companionship written by somebody who knows something about living in community? And can we please have a discipleship story that centers the experience of women?

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On Faith

From Bayo Akomolafe. Re-posted from social media (12/5/2020).

Yesterday, during an interview I quite enjoyed, the host asked me if I considered myself a man of faith. “Of course, I am a man of faith!” I responded. And then I proceeded to offer a reframed and embodied notion of faith that wasn’t necessarily tethered to bearded divinities and religious monocultures. What might faith look like if humans weren’t the unit of analysis? If it didn’t terminate at belief systems or cognitive leaps? A posthumanist faith?

Faith is the fidelity of entanglements. Faith exceeds the doctrines and the human-centric ways we – forced by the imperatives of institutions – have come to see them. It is how bodies come to meet other bodies, how bodies use or borrow other bodies and senses to respond to the creative challenges of a multidimensional reality that is never still – or how those bodies in excess of each other create new edges and experiment with new questions.

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It’s Not Just About What We’re Getting Rid Of

From Marc Lamont Hill, in a recent interview with Democracy Now.

An abolitionist vision, of course, ultimately is a world without policing and prisons. And that builds on the work of Critical Resistance, the wonderful work of Angela Davis and Mariame Kaba and Ruth Wilson Gilmore and other important Black feminist voices, radical Black feminists, who encourage us to have these ambitious sort of freedom dreams of what the world could be. It’s important to think about that.

But it’s not just about what we’re getting rid of. It’s what we want. We want a world where people’s needs are met, where people can have access to jobs, where people can have access to mental health support. And without those things, then we’re going to continue to end up with circumstances like this.

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Advent Song Summoned by the Forest: Raising Kids during Climate Catastrophe

By Lydia Wylie-Kellermann

Originally printed in The Catholic Worker, December 2020.

When I was a kid, we spent Monday evenings at Williams International, a cruise missile factory in Walled Lake, Michigan. My parents would pick us up from school and we would make the long drive while we pulled on snow pants and mittens. My parents would stand by the road with a single purple candle as employees drove home in the dark while my sister and I would play beside a stream scattering cattail seeds in the wind. After an hour or so, my dad would whistle and we would run to them and sing together “O Come, O Come Emmanuel.” Then we would load back into the car until we would return next week with two flames.

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Apophemi – Advent Reflection

Credit: Megan Suttman

by Gabe McMahan
This poem was printed in Summoning Advent Stillness, page 27.

Not the wheat or bread, but the field, fallow.
Not the brazed meats wafting up their billows,
but the sky… the empty heavens breaking
cloud from cloud. The silence after a song,

before thunder; before the gathered rain.
Before the carpenter, the wood’s soft grain
un-chiselled… That’s our guide! The marbled stone.
The trackless sea-bank where we walk alone,

and listen. Come in from your bustling streets
and tell me what you know. I’ll wash your feet.
I’ll kiss you, and you will be my brother,
my sister, father, beloved mother,

and all. Friend, you are a dove taken wing.
Sit with me and pray. Say nothing… Nothing.

Gabriel McMahan lives in Cincinnati, Ohio. He likes to dance, play with words, and dig in the dirt. When he sits in the quiet, on this particular morning, he hears wind-chimes, leaf-rustle, and distant cars.

What I’m Learning About Grief

“If The Trees Can Keep Dancing, So Can I”
A crowd-sourced poem compiled by NPR’s poet-in-residence Kwame Alexander. Re-posted from npr.org.

What I’m learning about grief
is that it sits in the space between laughs
comes in the dark steals the warmth from the bed covers threads sleep with thin tendrils
is a hauntingly familiar song,
yet I can’t remember the words…

What I’m learning about grief
is that it rolls like a heavy mist settles into the crevices lingers on the skin.
Visits, then visits again
Lurking under my chair.
And, when I’m not watching
Reaches out her tiny claws
And bats my ankles —

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