Digging In

EucharistLast month, Bartimaeus Cooperative Ministries hosted its annual Kinsler Institute in Southern California’s Ventura River Watershed (right). This year’s theme was “Digging In: Heels, Histories, Hearts,” an exploration of the roots of individual and collective stories and an examination of what it takes to recover from addictions and renew spirits for long term healing and movement building (all photos from Clancy Dunigan).

The reviews are sprouting forth, testifying to a mind-blowing and heart-expanding week.

From Grace Aheron, a poet, pastor and gardener living on 8 acres of land in an intentional community in the vicarage of a rural Episcopal Church in Charlottesville, Virginia.  Continue reading

Abrihet Queen

picBy Lindsay Airey

This piece was developed during the second Bartimaeus Institute Online (BIO) Study Cohort 2016-2017.  These pieces will eventually be published in a Women’s Breviary collection.  For more information regarding the BIO Study Cohort go here.

Abrihet Queen, given name Valerie, was born on April 11, 1960, into the Core City neighborhood of Detroit, the sixth of nine children. Her parents worked hard and tirelessly to make ends meet. She soaked in beloved community, surrounded by a wealth of grandparents and parents faithfully watching over the neighborhood. At age three, she was rescued after being kidnapped. “I was snatched,” Valerie recounts, “but the community found me, and I’m still here.” Continue reading

Grace Lee Boggs

GraceThis piece was developed during the second Bartimaeus Institute Online (BIO) Study Cohort 2016-2017.  These pieces will eventually be published in a Women’s Breviary collection.  For more information regarding the BIO Study Cohort go here.

By Jeannette Ban, 10/7/17

Grace Lee Boggs
Born: June 27, 1915 Providence, Rhode Island
Died:  October 5, 2015 Detroit, MI

Our challenge, as we enter the new millennium, is to deepen the commonalities and the bonds between these tens of millions, while at the same time continuing to address the issues within our local communities by two-sided struggles that not only say ‘no’ to the existing power structure but also empower our constituencies to embrace the power within each of us to create the world anew.

-From The Next American Revolution: Sustainable Activism for the Twenty-First Century by Grace Lee Boggs

Until her death in 2015, Grace Lee Boggs lived, marched, and dreamed among her beloved community of 55 years in Detroit, Michigan. “I stayed involved because I stayed,” she said.[1] Detroit glows at the center of her tale, a city tumbling continuously through the chaos of automation and industrial collapse. Mirroring its periods of bloom and decay, Grace’s journey as an activist spanned the Marxist movement in the 1960s to the Black Power movement in the 1970s, culminating in a community-centered and community-led philosophy until her death. Continue reading

What Does it Mean that Jesus “Apprenticed” with John the Baptist?

Christ

Re-posting this Lectionary reflection from 3 years ago on radicaldiscipleship.net written by Ched Myers.

John the Baptist appeared in the wilderness, proclaiming a baptism of repentance for the forgiveness of sins. 5And people from the whole Judean countryside and all the people of Jerusalem were going out to him, and were baptized by him in the river Jordan, confessing their sins.
Mark 1:4-5


Continue reading

Artemisia Gentileschi: A Hero Among Women

picThis piece was developed during the second Bartimaeus Institute Online (BIO) Study Cohort 2016-2017.  These pieces will eventually be published in a Women’s Breviary collection.  For more information regarding the BIO Study Cohort go here.

By Lola West

To appreciate the significance of the female artist Artemisia Gentileschi, 1593-1653, we must first understand the men who helped mold her. Such is true of many of the female artists during the pervasive, unyielding patriarchy, as seen in the Italian Renaissance. Growing up in the 17th century, Artemisia Gentileschi spent much of her early life being defined as the daughter of celebrated artist, Orazio Gentileschi. The senior Gentileschi was a pupil and follower of Caravaggio, a renowned male artist who was known for capturing emotion through his biblical renderings.  Caravaggio was to the 17th century art scene as Leonardo Dicaprio was to every adolescent girl in the 1990’s- a big deal. His revolutionary style encouraged the movement of artistic realism based in biblical narrative. In an era when written word was directed exclusively to the highly educated, the realist movement also appealed to the illiterate, breathing life into viewer’s emotions and stimulating a devout religiosity amongst Italians. Continue reading

Wild Lectionary: Until there is room for no one but you

kContinued from yesterday’s reflections on the lectionary for the 18th Sunday after Pentecost

Isaiah 5:8-23

By Ched Myers

Isaiah articulates the contemptible socio-economic disparity in Israel. A series of prophetic “woes” (howy) commences in verse 5:8 that extend through 5:23, and the first one summarizes starkly and succinctly all that will follow. The image of  “joining house to house and field to field” specifically refers to the phenomenon of “latifundialization,” the economic process by which large landowners increase their holdings by foreclosing on indebted small farmers. Theologians Urich Duchrow and Franz Hinkelammert point out that the 8th century BCE saw history’s first wave of “privatization” spread throughout the Mediterranean world, including Israel: Continue reading

Wild Lectionary: Ecological Theology of the Vineyard

kj

Old millstone, Palestine

Proper 22 (27)
18th Sunday after Pentecost

Isaiah 5:1-7
Matthew 21:33-46

By Ched Myers

The 18th Sunday after Pentecost this year comes on the heels of the “Season of Creation,” a contemporary liturgical and lectionary movement celebrated during the four Sundays in September prior to St Francis of Assisi Day (4 October). Today’s haftorah—Isaiah’s famous “Song of the Vineyard”—continues this vein of ecological theology. Continue reading