From photographer Clancy Dunigan, who returned to Whidbey Island last week after accompanying the holy fools of Carnival de Resistance in Philadelphia. See below for some of Clancy’s comments on the artists and the context of this mural.
The curators/artists of this projects were Pedro Ramirez & Eli Sanchez from Mexico City. As you’d expect, they were more than enjoyable to hang with. The symbols are from Puerto Rican culture. The Neighborhood is noticeably represented by said culture–but paved over, close to the L-train, and drugs aplenty. A depressing place to walk, as i did to get beers. The artist wanted to incorporate the indigenous art here. When asked about why a mural here, why these colors & symbols? Pedro said something like:
This neighborhood seems a colorless, cemented hard urban core type of a wasteland [sic]. The property owner peeped over the wall during the painting (several days) and we feel it a gift we give back to the neighborhood. They offer a space. We offer our gift of labor & beauty, culture to culture. It is also important to integrate the Puerto Rican flavor& symbols for the murals physical context.
The young woman image is from the neighborhood. Eli Sanchez painted a portrait of her. Eli also painted the bird figure.Pedro spray painted the halos. These two exemplary artists were immediately accessible with their openness and embrace of new friends at the Carnival de Resistance. They had little time to themselves as all the carnival folk wanted to sit and hang with them. A wonderful Big Tent our Carnival hosts and staff provided. A mountain top I sadly departed from.
Proper 10(15) B
By Tevyn East and Jay Beck
Some were saying, “John the baptizer has been raised from the dead.” Mark 6:14
No shape. No symbols. Everything fluid. Everything wind and water.
God created chaos.
Swirling swamp potential of formlessness.
Only out of this swirling chaos can any creation be born.
I feel. Continue reading
We are fired up for what is coming to Philadelphia this summer, after the NBA playoffs leaves town. Holy Fool Arts is organizing its 7th residency of the Carnival de Resistance from July 24th through August 5th. Weekend productions (which weave storytelling, dance theater, live music, and circus arts) will be taking place at Arch St. United Methodist Church.
CdR is rooted in a prophetic Tradition of many compelling strands. This is how these holy fools describe it on their website:
The Carnival de Resistance is made up of a diverse group of people who’s political persuasion and theology covers a spectrum of beliefs. The following are not indicative of the overall “message” of the Carnival, but are simply some of the historical movements, artistic traditions, fields of study and teachers that have influenced us.
Credit: Clancy Dunigan
Fifteenth Sunday After Pentecost
Then the prophet Miriam, Aaron’s sister, took a tambourine in her hand; and all the women went out after her with tambourines and with dancing. And Miriam sang to them: ‘Sing to the Lord, for he has triumphed gloriously;
horse and rider he has thrown into the sea.’
By Tevyn East and Jay Beck
John: “She died in a dry place, yet the spring followed her.
It followed her everywhere
like a lover, easing us to rest,
springing from hidden places
in our wanderings.
Always, we were thirsty. Continue reading
Radical Discipleship is excited to announce a book hot off the press that is an anthology exploring watershed discipleship. Many of the contributors are regular writers for radicaldiscipleship.net. We hope to have a review coming, but for now check out the book. And let us know if you want to review it!
Edited by Ched Myers
Foreword by Denise M. Nadeau
Contributors: Katerina Friesen, David Pritchett, Jonathan McRay, Lydia Wylie-Kellermann, Erinn Fahey, Sarah Thompson, Matthew Humphrey, Sarah Nolan, Erynn Smith, Reyna Ortega, Sasha Adkins, Vickie Machado, Tevyn East, Jay Beck, and Rose Berger.
This collection introduces and explores “watershed discipleship” as a critical, contextual, and constructive approach to ecological theology and practice, and features emerging voices from a generation that has grown up under the shadow of climate catastrophe. Continue reading
By Tommy Airey (all photos from Tim Nafziger)
Everything being a constant carnival, there is no carnival left.
The past two weekends, Redeemer Lutheran Church in North Minneapolis showcased the Carnival de Resistance, a traveling arts carnival and ceremonial theater company performing at the intersection of ecological justice and radical theology. These performers converged upon the Twin Cities during the month of September, migrating from the four corners of North America to reclaim and reframe the biblical prophetic tradition. They combined their standard four productions into two: “Rooted Wind” and “Burning River” (playing on Friday and Saturday on consecutive weekends). But the bulk of their month-long residency was devoted to uplifting projects and voices that are indigenous to this watershed, the mostly white crew consistently passing the baton to Native American leaders, people of color and women, those well-acquainted with the kind of grief and passionate resistance that it will take to create and construct Something sustainable in a culture well-adept at fooling itself into thinking America ever was great. Continue reading