By Jim Perkinson, a sermon on Transfiguration, St. Peter’s Episcopal Church, Detroit, MI, February 27, 2022

I have developed a late life habit.  When the snow falls around our house, these days, the bird seed comes out.  I am a bit loath to invite too much wild dependence on human provision, so I normally don’t lay out food that way. But given our urban Detroit encampment on the habitat of so many wild creatures, I figure snow may interrupt some of the other foraging possibilities and so sprinkle some seed. The local sparrows and chickadees are quick to spy out the offer and just as quick to spread the word, sparrow style.  But it is especially the cardinal pair whose territory we occupy that I delight in.  For two winters now, when my gift-giving begins, they are adept at the uptake and 2-3 times per day, beginning around noon, will summon me by cavorting in the front bushes outside my second-story study-window.  Once I see, I get up, go down to the front door while they vigil in a front-row, top-of-the-bush seat.  I give a little throw onto the sidewalk from the open door; they hop down and feast.

By James W. Perkinson

The clear untouched pool accepts me into its emerald depths like a big drop of water . . . I dive down again and again, feel the water-fingers softly caressing my hot face, tracing my underarms, my neck and breasts—nipples raised hard against the cold . . . and though the water is not going anywhere, it seems to move against me still, even as I lie immobile on its surface.  I flip and turn, purring to the sensual caress.  I have dipped into a private treasure and am wrapped in the arms of the True Gods (Lee, 132, description of Glen Canyon pothole only fifteen feet wide, whose smooth sloping sides refuse her efforts to climb out wet and nearly kill her over the next hour).

I begin in the unlikely place of a quote from raconteur Katie Lee—author, musicologist, folk singer, storyteller, Hollywood actress, song writer, filmmaker, photographer, poet, and river runner (in the words of her bio, Lee, 273).  She is not indigenous.  But she is a “grit” person, as Terry Turner Tempest offers in the Foreword—a woman “not afraid to laugh and tease, cajole, and flirt, cuss, rant, howl, sing and cry.”  “Katie Lee,” says she, is “the desert’s lover, her voice is a torch in the wilderness” (Lee, ix).   I begin here, away from the subject, because that is where I begin, where most of us today begin, in this land of the less-than-free, home of the most-often-cowardly.   We who are not indigenous, not native, pretend to own the land, but we are not of the land.  Rather than belong to it, we belong mostly nowhere, counting strip malls and car interiors and I-Phone screens our domiciles of greatest comfort.