the second coming of easter (I Corinthians 15)

For over 20 years, Jim Perkinson has been riffing on lectionary selections in spoken word mode and often presenting the same at worship services of St. Peter’s Episcopal Church just outside downtown Detroit. This is the third in a series of collaborations between Jim and Tim Nafziger putting this poetry in video form with text below.

the second coming of easter (I Corinthians 15)

jim perkinson
4-12-20

empty churches preaching empty tombs
to empty pews, a vision of gloom, 
the doom of the poor now creeping close 
in corona-spoor knocking even at the door 
of the rich and who would have thought 
it all could upend in a single dash of air-splash, invisible, carrying not quite living code 
from animal to our abode everywhere, 
leading all but rash, bible-brash evangelical hubris
to hunker in shelter, or fear-trembled,
in hovels or dense-packed streets 
of homeless retreats or refugee tents
a world of babel towers and fake news showers 
and glowering, bulge-veined purveyors of cover 
for the bankers and oil exec wankers to push profit-margins to the edge of the cliff . . .

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the gospel (John 18:1-19:42)

For over 20 years, Jim Perkinson has been riffing on lectionary selections in spoken word mode and often presenting the same at worship services of St. Peter’s Episcopal Church just outside downtown Detroit. This is the second in a series of collaborations between Jim and Tim Nafziger putting this poetry in video form.

the gospel (John 18:1-19:42)

jim perkinson
9/30/99

god weeping 
broken bottle slivers 
on the cheek of time
blood cheek dripping 
in roses of divinity
under the fallen street lamp
god is a broken light-shard 
of shattered moon 
in the midnight of neon
a swallowed sun
giving birth 
to black burnt words
and charcoals of ghost 
sucked like a water pipe 
of lost manhoods
god is smoke ring solitude
the profile of dead factory pipes
incinerator ash falling 
on pale skin
the dream of stars 
shrouded 
in the orange night 
of city
and the eyes 
of sleeping mothers
hearing moccasins 
on the path

the wail is low
the howl is heard only under the skin
the groan is your own
the taste is flesh
the touch is bone
the shiver is red
the wind is hawk
the owl is waiting
the rib is broken
the treaty is gone
the father is underground
the finger is cold
the ear is dried channel
the tongue is choked with nothing
the head is cracked
the arm is slack
the leg is bent
the back is supine and down

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if the donkey could talk (Matthew 21: 1-11)

For over 20 years, Jim Perkinson has been riffing on lectionary selections in spoken word mode and often presenting the same at worship services of St. Peter’s Episcopal Church just outside downtown Detroit. This is the first in a series of collaborations between Jim and Tim Nafziger putting this poetry in video form and adding commentary and footnotes flowing from their conversations.

if the donkey could talk (matt. 21: 1-11)

jim perkinson
original: 3/27/99
updated: 3/30/22

so what do you think
mister flop-eared ferry-back
carting the precious cargo across
palm-covered dust and
peasant boys shouting
messianic manifestos
in the ears of pilate’s guard
shouting terror in the tone-deaf ears

of old-men-arrogance
the priestly pomposity
the scribal-orthodox heresy of

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the strait is not straight

In a paper he delivered at the AMBS Rooted & Grounded Conference last month, the Ecumenical Theological Seminary professor Jim Perkinson reflected on the deep meaning found in the renaming of his beloved Detroit River Watershed in 1701:

“Wawiatonong” the Ojibwa say, the place “where the river goes around,” a name conveying at once respect and locale and abundance. I, however, write from a Detroit become the epitome of thirst and lack. Three centuries ago, the Jesuits came around the bend and re-named the Ojibwa curve a “strait,” “de-troit,” the link between Lakes Erie and Huron, shifting its orientation toward the priority of trade and commodities, a mere conduit in the circuits of global capital, and now the country’s most heavily trafficked “commercial” border.

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