
By Will O’Brien (above, right, in DC earlier this month)
The outrages of the Trump Administration are legion, but in recent days I have been especially distressed by one aspect: the brazen cruelty coming out the of the White House. I am not talking about the policies, which are arguably cruel in themselves, but the intentional and insistent PR campaign of using social media and other public outlets to gleefully mock and degrade immigrants.
Not that it’s new: In March, the White House X account featured an image of a handcuffed and weeping Virginia Basora-Gonzalez, who had been violently seized on the streets by ICE agents – cartoonized in the style of Japanese Studio Ghibili animation. In April, the White House posted a video showing men in shackles preparing to board a deportation flight – to the music accompaniment of the old pop song “Na na hey hey (kiss him goodbye).” The Department of Homeland Security infamously circulated the photo of “ICE Barbie” Kristi Noem at the El Salvador prison, the detainees shaved and in nothing but underwear while she flaunted her flowing hair, a tight-fitting white shirt, bounteous make-up, and a $50,000 Rolex.
This campaign of orchestrated public cruelty has reached a new level – starting with the offensive name – with Alligator Alcatraz.
Continue reading “Cruelty as National Policy”



By Will O’Brien
By Will O’Brien (right), director of the Alternative Seminary in Philly, PA
By
By Will O’Brien, executive director of Project H.O.M.E. in Philly and the curator of the
By Will O’Brien
By Will O’Brien